Author (Your Name)

Kristina Tabor, Colby College

Date of Award

2002

Document Type

Senior Scholars Paper (Colby Access Only)

Department

Colby College. English Dept.

Advisor(s)

Eva Linfield

Second Advisor

Elizabeth Sagaser

Third Advisor

Laurie Osborne

Abstract

"The Politics of Restoration Authorship: The Collaboration of Dryden and Purcell on King Arthur, or the British Worthy" discusses the introduction of the semi-opera form in England during the Restoration period (specifically from 1660 to 1700), including a background on the development of music, theatre, and author's role in society through the system of patronage. The essay argues that Dryden viewed music as an art form lower than literature; he used this ideology to develop allegorical characters that personified Britain and recreated a sense of national pride amongst his audience members.

Keywords

Politics of Restoration Authorship, Dryden, Purcell, King Arthur, opera

Comments

Full-text download restricted to Colby College campus only.

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